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10 Tips For Dealing With Holiday Sadness

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It’s OK to feel down, and it’s more than OK to ask for help if it gets to be too much.

The holidays are supposed to be a time of great joy.

The holidays are supposed to be a time of great joy.

A time of twinkling lights and familiar songs and wrapping yourself in the memories of celebrations past, while looking forward, with hope, to the new things to come.

Via tumblr.com

But, for some, it's difficult.

But, for some, it's difficult.

Via rebloggy.com

For many people, the holidays can be a time of regret, of frustration, of loneliness, of darkness.

For many people, the holidays can be a time of regret, of frustration, of loneliness, of darkness.

It's difficult to look around a table laden with treats and not notice who isn't there, not notice what's gone wrong. It is difficult to not feel overwhelmed. Or profoundly, bone-achingly sad.

Via tumblr.com


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We Need To Talk About How Hot Brian Williams Is

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Breaking news: He’s a bae.

This is Brian Williams. He's the anchor for NBC Nightly News.

But he isn't just an accomplished reporter. For anyone with a pair of eyes, it's also readily apparent that Brian, aka BDubs, is a stone-cold fox.

I don't know who that guy is standing next to him, but I wish it were me. Don't you?

Ladies and gentlemen, Brian is the COMPLETE package. For one, his steely glaze has the power to melt your panties.

Yeah, you know what I'm talking about. This one. Is it hot in here, or is it just me?

Barry O ain't got NOTHING on Brian.


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12 Christmas Ornaments Having A Way Worse Day Than You

How Well Do You Know Clark Griswold's Rant From "Christmas Vacation?"

19 Times Jessica Lange Sent Chills Down Your Spine

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As told by American Horror Story GIFs.

When she wished death upon us all.

When she wished death upon us all.

FX

When she threatened to kill...again.

When she threatened to kill...again.

FX

When she gave us a not-so-friendly reminder.

When she gave us a not-so-friendly reminder.

FX

When she told the truth.

When she told the truth.

FX


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If You're Not A Fan Of MMA, Kron Gracie Will Convert You

The Hardest "Easy A" Quiz You'll Ever Take

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Can you get Olive these questions right?

If Charlie Kelly Quotes From "It's Always Sunny" Were Motivational Posters


Which "Buffy The Vampire Slayer" Big Bad Are You?

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Cross your stakes you’re not Adam.

18 Celebrity Instagrams You Need To See This Week

BBC Radio 4 Extra To Broadcast Hit True Crime Podcast "Serial"

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If you’ve not caught up with Serial , which tells the story of how a Baltimore teenager was convicted for the murder of his ex-girlfriend 15 years ago, now’s your chance.

Serial, the breakout hit podcast from the people behind This American Life, is headed to British radio – it airs on BBC Radio 4 Extra this Sunday, the BBC confirmed on Friday.

Serial , the breakout hit podcast from the people behind This American Life , is headed to British radio – it airs on BBC Radio 4 Extra this Sunday, the BBC confirmed on Friday .

Serial follows the story of Adnan Syed, pictured, who was convicted of first-degree murder in 1999 in Baltimore County, aged just 17, following the death of his ex-girlfriend Hae Min Lee.

The show will be broadcast on Radio 4 Extra on Sunday 7 December at 9pm, then episodes will be aired daily until the series reaches its conclusion – which will be aired the same day internationally.

The show, currently into its 10th weekly episode, is presented and produced by Sarah Koenig, and has gripped listeners with its forensic, detailed investigation of the details of Syed's case. Koenig has interviewed a long list of people involved with the original case and has raised questions over both the state's case against him and also Syed's protestations of innocence.

serialpodcast.org

Hae's 17 year-old ex-boyfriend, Adnan Syed, was sentenced to spend the rest of his life in prison. The case against him was largely based on the story of one witness, Adnan's friend Jay, who testified that he helped to bury Hae's body. Adnan has always maintained he had nothing to do with the murder. Sarah Koenig learned about Adnan's case more than a year ago and started to go through the legal documents and investigator's notes, listening to trial testimony and police interrogations. She is also talking to everyone she can find who remembers what happened 15 years ago.

In Serial, with a new podcast episode released each week, Koenig takes listeners on an absorbing and personal journey looking into the 15-year-old case for new evidence and the story behind what happened on the day of the crime. As the production team have said, "we won't know what happens at the end of the story until we get there, not long before you get there with us".

We know we already have tons of Serial listeners in the UK but we love that the BBC will help us reach many many more than we ever could with podcast alone.

There have been no details on what story the show will chase next time, but it will fit the same format – one story told week by week – that has captivated fans.


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19 Problems Only People Who Are Obsessed With Christmas Understand

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ONLY 364 DAYS UNTIL CHRISTMAS!

The day after Christmas is the most TRAGIC day ever because you know you have 364 days left until you feel happiness again.

And you annoy EVERYONE around you with constant reminders of how many days there are left until Christmas.

Even if it's January.

Your energy bill is always INSANE in the month of December because you have to have the brightest house on the block.

Keeping up with the Claus'.

Your winter wardrobe only consists of red and green.

instagram.com


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How My Life Was Eventually Changed by a Stranger's Offer to Supply Me With Knives

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John Darnielle, author of Wolf in White Van and lead singer of The Mountain Goats, on finding inspiration in his inbox.

Chris Ritter / BuzzFeed

In the last chapter of Wolf in White Van, there's a sword catalog. Sean, the narrator, orders it from Brazil; he sees an ad for it in a small magazine and it sounds cool, so he takes a chance and sends a couple of bucks off in the mail, and then when he gets home one day, there it is, in a slick envelope with an unfamiliar postmark. Later that day, he has what he ends up referring to as an accident, and he is changed forever.

People ask about "the creative process" a lot, and I'm never entirely sure how to understand the term — I don't have any method I rely on; any given piece I'm working on will be beneficiary or victim of its own chemistry. But one way of thinking about process can involve tracing how the things that got into a song or book got there: when they first germinated, how long it took them to sprout, how they ended up in the row where they ended up. In the case of the sword catalog I can tell you.

But for either sad or great reasons, depending on how you think of things, I will have to tell you from memory: Because when I remembered the spam email I got in maybe 2001 or 2002 that eventually manifests itself as Sean's Brazilian sword catalogue, I thought, Go dig that up, it's got to be around here someplace, you can quote it directly, it'll be cool. Back in the late '90s we had an old iMac — it wasn't old then, it was just an iMac — and it sat in the corner of our one-bedroom place in Ames, Iowa. We had moved to Ames from Colorado, where our internet was 56 Kbps; being suddenly able to check email without watching the beach ball spin for several minutes was quite novel. I'd just put Last Plane to Jakarta, the web version of my zine, online. There was a contact email right there on the "contact" page. The spam influx began within hours of the site going live.

It took years for me to be able to just reflexively delete spam, or filter it so that I never see it at all. I blame the spammers for this; the quality of their work took a sharp nosedive at some point. But during whatever period of the internet's growth you'd call the early 2000s, it seemed like you'd still get some winners: things that had been typed up by a person, sent out to a bunch of email addresses they'd bought or rented for 5 or 10 bucks from the only guy who was ever going to make any money in this particular exchange. Most of them went directly, if manually, into the trash; but once in a while, there'd be one that seemed to earn, at the very least, the minute it'd take me to read it.

Chris Ritter / BuzzFeed

The one I'm remembering here was subject-lined SUPPLY OF KNIVES. To me, this looks like the name of a band I might like — maybe some label I didn't know about was trying to send me a promo? That would be badass; I was pretty into getting promos of stuff I hadn't heard about back then, bands with names like SUPPLY OF KNIVES toiling away out there in Torrance or Downey or wherever.

But SUPPLY OF KNIVES wasn't a band. The subject line opened on an all-caps email that boasted, in ornate, antiquated English appealing to the reader's more refined sensibilities, about the high quality of the knives on offer at an external website. You shouldn't click on links in spam email. I live my life on the razor's edge! I clicked the link.

I want to tell you about these knives: They were beautiful. They were weird. They had elaborate designs in the handles, moons or stars of wolf heads, and special grips, and a variety of points. They were made from metals whose pedigrees were described lovingly, and had been struck — smithed? wrought? — via processes I knew absolutely nothing about, but that sounded fantastic, difficult, arcane. It's the joy of specialized language: When you're an outsider to it, it can't help but sound cool.

Of course this is the whole idea of any operation like this. SUPPLY OF KNIVES could well have been, and probably was, a company in Ohio who'd stumbled across an old warehouse full of knives, and knew enough about sales to describe these things in the most exotic terms they could find. I'm pretty immune to pitches: Who likes to feel like he's being pitched? But somebody involved with SUPPLY OF KNIVES had had just enough authorial flair — that, or true faith — to caption each knife's mysterious, blurry accompanying JPEG with a description whose constant recourse to specialized vocabularies seemed to say, "You're not even reading this unless you already know about this sort of thing. Let us therefore speak like the fellow travelers we are."

It was like a trade catalog for roadside bandits in need of knives.


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22 People Who Were Worse At Thinking Stuff Through Than You In 2014

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2014 was the slow-clappiest year of all time.

The thoughtful minds who designed this fishing trophy:

The thoughtful minds who designed this fishing trophy:

Via reddit.com

The designer of this astrology-themed bib:

The designer of this astrology-themed bib:

Via reddit.com

The person who must have been POSITIVE that you would all understand what the "F" actually stands for:

The person who must have been POSITIVE that you would all understand what the "F" actually stands for:

Via reddit.com

The creator of this Purell ad, who just wanted to keep people from catching each other's colds:

The creator of this Purell ad, who just wanted to keep people from catching each other's colds:

Via reddit.com


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The Day I Started To Acknowledge Systemic Racism


A Boy With Autism Is Receiving Mail From Around The World And It's A Christmas Miracle

I Thought My Rape Made Me A Bad Feminist

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My rapist was my boyfriend, and all I could think was: How did I end up here?

BuzzFeed

I was raped, and the first thing I thought was, I guess this makes me a bad feminist.

I'd been a feminist since I was a teenage riot grrrl and knew the stats on rape backward and forward. So, sadly, it didn't seem crazy that I too would one day be a victim of sexual assault. But I'd also always assumed that a stranger would leap out from the bushes late at night and grab me, and after it was over I'd call the cops, testify, and help put a bad man away.

Instead, I was raped by my boyfriend of four years, a man who systematically broke me down, isolated me from my family and friends, and got me hooked on drugs. I drove my once-promising career off a cliff; I was broke and totally cut off from everything, including my political activism and feminism.

And the worst part of it was, I had no idea how I wound up there. I was one of those bright young things, parroting Kathleen Hanna and doing ninth-grade book reports on Susan Faludi. I had parents who loved and supported me, and was raised in a middle-class home in a comfortable place. I was never abused or molested. I spent high school racking up internships with elite feminist organizations and putting together protests and benefit concerts, and I skipped off to my elite New England liberal arts college thinking I'd be the next Gloria Steinem.

Instead, I met my ex, who seemed like a nice guy — if a little directionless at first. He gave me brown powder that he told me was ecstasy, and then told me it was "ecstasy cut with heroin." Eventually, he came clean and told me it was pure heroin, but by that time, I was hooked. For the next three years of college, I was a secret junkie.

But while I was a secret junkie, I was also a student at a fancy school, a board member of the local chapter of a national feminist organization, and an intern at an Ivy League university's feminist think tank. I won a prestigious grant to go work for a female senator. And I enjoyed none of it, because my boyfriend convinced me it was all silly and worthless, and I was better off doing drugs with him.

As I prepared to graduate, I started applying for paid jobs with feminist organizations, and was turned down by all of them. I can see now I was probably too strung out for anyone to want to pay me, but at the time it felt like a deep betrayal, and proved my boyfriend was right — I was a loser and a nothing.

I moved home and managed to get a job, but my boyfriend followed me, and subsequently spent so much time complaining about my hours that in the end I quit. I wound up temping, and spent most of my time getting high and wishing I'd get hit by a bus. My boyfriend spent my money on drugs (he couldn't hold down a job because...who knows) and forced himself into every place I lived.

The morning after he raped me, I called a hotline to see how I could get him out of my apartment and get a restraining order. The person on the other end of the hotline was unbelievably rude, unhelpful, and condescending, and when I hung up the phone, I thought, How did I end up here? I was a feminist wunderkind; a board member at one of my internships told me I'd run for Senate someday. Instead I'm begging some asshole to tell me how to kick my boyfriend out of my apartment.

This realization flew in the face of everything I'd believed for the last four years: that it couldn't happen to me. That because I was a smart girl at an elite school, festooned with banners that told me I would "make a difference in the world," that I was somehow above everything. I thought I could dabble with a dangerous, deadly, addictive drug and walk away whenever I wanted. I could date a man who was the opposite of everything I should want and make it a cool, subversive act rather than a suicide mission. I thought calling myself a feminist and getting up at 5 a.m. to do clinic defense would make me some magical unicorn, when in reality, I was just another junkie trapped in an abusive relationship, feminist bonafides or not. My beliefs and my activism were sincere, but I expected them to erase everything else.

I blamed myself because I should have known better, when in reality I was as human as everyone else. The narrative that assaultive and abusive relationships are only for poor, uneducated women and that a girl like me could never end up in one is harmful to all women, and probably kept me from seeking help earlier.

After the rape, I bailed. I moved home, gave up the apartment, spent a week in bed detoxing while telling my folks I had a bad flu, and then tried to get on with things. I never reported my boyfriend, and I told very few people my story. I spent every moment from then on trying to move on from the past — building a respectable career, going to grad school, racking up awards and accomplishments, marrying a nice guy. But the rape is never far from my mind, because I know what it's like to be held down and be so totally powerless that all your years of yelling, chanting, and organizing are so utterly useless in that moment.

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