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Record Numbers Of Black Kids Being Locked Up In Australia

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On a Sunday morning in June as the first rays of sunshine hit the rugged Kimberley landscape, the small Aboriginal community of Cockatoo Springs is frantic with activity. A desperate woman makes a hurried call on the only working telephone in the community, a clunky yellow and orange Telstra phone box on the wall of a house. The woman calls emergency services: a young man is threatening to kill himself, she says.

A few hours later a police paddy wagon makes its way up the long dirt road to Cockatoo Springs. Three policemen approach elder Ben Ward as he sits in his wheelchair at a table with a cup of tea. The officers ask where the man is and are pointed toward a small brick house a few doors down. A group of children playing on a trampoline bounce around, giggling and teasing each other, oblivious to the police presence.

The officers enter the house and then emerge a short time later with the man in handcuffs, his thin wrists shackled with thick steel glistening in the bright Kimberley sunlight. Flanked by officers he offers no resistance or words as he walks to the police paddy wagon, as two young girls swirl around the police on pink scooters.

It is an intense, fraught scene. Ward tells police that that the man is suicidal. Another woman says he needs a mental health assessment. The officer tells them the man has warrants out for his arrest, and that instead of taking him to a hospital he’ll go direct to the holding cells in nearby Kununurra.

The officer says it's hard to get one of the mental health workers to come out on a weekend, especially Sunday morning. Community members will have an anxious night wondering if one of them will be asked to identify a body the following morning – Indigenous deaths in police custody are sadly not uncommon.

The incident reaffirms the deep, historic distrust between Aboriginal people and the police in Western Australian. The relationship is so tenuous, frayed and broken that it’s hard to find a single person in any Aboriginal community in the Kimberley who speaks positively about their experience with the police.

Over his large chipped white teacup, Ward stares passively at the police wagon as it starts to trundle down the unsealed road in a plume of fine red dust, eventually disappearing into the rugged landscape of dramatic hills made up of cascading jagged rocks.

Ward takes a deep breath. The lines etched across his forehead become taught.

“Another young man taken away. We called for help and they arrested him,” he says.

Indigenous incarceration rates in Western Australia are shockingly high: according to last month's Amnesty report, Aboriginal young people make up 6% of Western Australia’s 10 to 17-year-olds, but more than three quarters of those in detention.

Ward has dedicated much of his life to keeping young Aboriginal people out of lock-up and on traditional land. He estimates he’s given a home to over 300 young people over three decades. Cockatoo Springs is a far cry from the township of Kununurra an hour away, where alcohol, family violence, homelessness and drugs have become a poison infecting entire families. Cockatoo Springs is booze-free, and the community sits on a swathe of traditional Mirriwong land Ward says is perfect for rehabilitating lost souls.

Mirriwong elder Ben Ward.

Allan Clarke / BuzzFeed

Ward has never received government funding to take in young people, despite lobbying many agencies on the benefits of his brand of cultural diversion.

"I’ve been looking after juveniles for so long and still never got help from anyone. I live on a pension and every one of those kids here, (Cockatoo Springs) they've been living off my pension. It's the right thing to do as a Mirriwong person."

Ward believes that the only way to stop the seemingly never-ending wave of Aboriginal people flooding Western Australia’s prisons is to reconnect them with culture and country.

“I came up with the idea, maybe five or six years ago, maybe more. I want young people to come out here, to have a detention centre for young people out here for young boys and for their detention and punishment. Go through the lore, blackfella lore. That’s what gives them the skills and knowledge for a future."

"The kids they get disconnected completely from culture, you talk about lost generations well they are heading in that direction already. And fast. The system is taking our young people from us and we don’t have time to teach them culture. By the time they come back to our country they know nothing" - Mirriwong elder Ben Ward.

If there was ever a place that was in desperate need of diversionary programs it is Western Australia.

Every prison, juvenile detention centre, remand centre and police holding cell is full of Aboriginal people.

The numbers are wildly disproportionate to the actual Indigenous population. Aboriginal people only make up six per cent of the Western Australian population but represent more than 40 per cent of the prison population.

Allan Clarke / BuzzFeed

Amnesty singled out Western Australia's high youth incarceration rates in the report Western Australia: keep kids in communities and out of detention released last month.

It highlighted the grim reality for young Aboriginal people. Indigenous people between 10 and 17 years old make up almost 80 per cent of WA's juvenile detention population.

The report made 23 recommendations to the WA government, with a heavy emphasis on investment in diversionary programs.

"The commitment to prevention and diversion remains inadequate. In the 2013/14 financial year the Department of Corrective Services’ budget for prevention and diversion services was $7.83 million dollars. This is a very small amount compared to the $46.8m spent on detention in the same year. Further, the recent passage through the Legislative Assembly of laws that will expand mandatory minimum sentences for young people is inconsistent with the stated focus on prevention and diversion for young people in Western Australia. The Western Australian Government has conceded that these laws will lead to at least a further 60 places being required at Banksia Hill Detention Centre, 146 which will cost a further $18 million dollars in costs of detention alone. The President of the Children’s Court has highlighted that these laws “will result in the last window of opportunity to rehabilitate young offenders before they turn 18 years of age being lost.” - Amnesty International.

Julian Cleary, Indigenous Peoples’ Rights campaigner at Amnesty International authored the report and says the findings are a terrible indictment on Australia,“It’s clear at a systemic level things are failing, but ultimately there needs to be a lot more involvement of the Aboriginal community on the solutions and working in partnership with police, so if there are discriminatory practices they are stamped out.”

Amnesty wants controversial mandatory sentencing for young people abolished, urging the WA Government to “commit to detention as a measure of last resort for all young people by ensuring that no future legislation will impose mandatory minimum sentences for young offenders.”

Dennis Eggington, CEO of the Aboriginal Legal Service Western Australia (ALSWA), the state's peak Indigenous legal body, says that children as young as 10 are being taking into police custody. "We've been very concerned for a number of years now with the over-policing of our young children, including children as young as 10, being charged with offences such as receiving a stolen ice cream or a Freddo Frog, and they've done time over it. [They're] kept in custody and appear in a children's court."

"Sometimes for these very minor offences our kids spend time inside an institution or lock-up and it's such a terrible situation" - Dennis Eggington, ALSWA.

Cleary says it contravenes international standards. “Twelve is the absolute minimum internationally acceptable age at which kids should be held criminally responsible, and yet in WA, and in fact all around Australia, the minimum age of criminal responsibility is 10.”

“The fact that kids feel at home in prison that is an indictment on how we are failing these kids as a society” - Julian Cleary, Amnesty International.

In response to the Amnesty report the Western Australian Department of Corrections Commissioner James McMahon said, "having reliable, up-to-date statistical data on young people was integral to reducing reoffending. These statistics reinforce that reducing the over-representation of Aboriginal young people in the criminal justice system is a priority.”


Sidney Griffiths in Kununurra.

Allan Clarke / BuzzFeed

Sidney Griffiths, 19, sits on a large concrete slab, which doubles as a verandah in one of the town camps on the fringes of Kununurra in the east Kimberley. His large lips are cracked and a small gold earring glints occasionally when the sunlight hits it.

Allan Clarke / BuzzFeed

Sidney brings his nervous hands together and he looks down at the edge of the chipped concrete, sharply cutting into the red dirt, he begins to talk about his life in a soft low rolling voice that is deep and clipped with the distinct Kimberley twang.

“I grew up walking the streets all night. I was 12 or 13 when I first started using drugs and alcohol and smoking cannabis. I used to hate the police and I never liked the red and blue. They’re especially cheeky to blackfellas when there are no other witnesses around. I used to do burglaries, I used to do break-and-enters, armed-robberies, a lot of crazy shit. I felt like no-one cared about me.”

Sidney's story is just like thousands in the area.

At 16, Sidney was sent to juvenile detention in Perth and he would go on to spend the next three years in and out of lock-up. He recently finished his last court ordered community service.

Most of his teenage years were spent in trouble with the law, but Griffiths says he's determined to stay out of prison for the sake of his baby daughter.

“If there was a program when I got in trouble at that time, when I couldn’t find a program at that time, I would have been really grateful and I probably wouldn’t have ended up in jail” - Sidney Griffiths

Allan Clarke / Buzzfeed

At the ALSWA's main Kimberley office in Broome, principal legal officer Ben White says young people are ending up behind bars due to a hard line approach from police.

Ben White, Managing Lawyer Broome Aboriginal Legal Service.

Allan Clarke / BuzzFeed

Smith points to very strict police bail conditions imposed on minors released from custody. He says they are rigidly enforced by police and that minor breaches such as breaking curfew and not being in the presence of a court ordered guardian are routinely putting children as young as 12 behind bars.

Smith says a recent client of the ALS was a 12-year-old boy put into a police cell for playing in a neighbours' yard. One of the boy's bail conditions was that he remain at his grandmothers house after curfew.

"The police went around to do a curfew check and his Nanna was sitting on the verandah at the front and she said he’s not here he’s over there. It was a house directly across the street where kids were having a party in the front yard. Nanna could actually see her grandson playing. But because he wasn’t in her house after curfew they arrested him and he spent the night in lock up, its completely unnecessary.”

In situations like this police should use their discretionary powers to avoid locking up juveniles over minor breaches, Smith says. He believes police monitoring is excessive. “It’s very common, we hear it all the time from our clients, there’ll be curfew checks – up to half a dozen times a night the police will knock on the door and wake up everyone in the house. The child will have to present to the door.”

“The kids call it torching, where the police shine the light in their face to identify them. For new offenders it’s not diversionary. If some police officer is shining their torch in your face repeatedly for two or three weeks before you go to court, it’s not diversionary. The kids are probably going to start resenting the police. The family’s going to resent the police and it’s just counter-productive to the principals of juvenile justice" - Ben Smith ALSWA

A spokesperson for the Western Australian police say that despite a public perception that they are hardline and punitive, officers only take young people into custody as a last resort and are committed to diverting them away from lock up.

"Discretionary powers are currently used by Kimberley police in relation to juvenile breaches. The assessment of the use of discretion is dependent on each individual case along with a risk assessment of the juvenile involved, the level of offending identified or offending risk posed by the juvenile to the community."

"In accordance with the intent of the Young Offenders Act, police endeavour to divert juveniles away from a police custody setting. Placing a juvenile into a custodial area is a last resort. All juveniles who are the subject of a curfew are checked and it would not be correct to suggest police in the Kimberley are conducting those checks unfairly."

One of the key recommendations by the Royal Commission into Aboriginal Deaths in Custody in 1991 was to use detention and imprisonment as a last resort, but in WA and the rest of Australia, Indigenous incarceration rates continue to climb.

As the sun sets on the vast Kimberley region, a vast area three times the size of the United Kingdom, one thing is clear: more children will end up behind bars before sunrise.




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The Biggest Winners And Losers In Movies In 2015, So Far

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From Chris Pratt and Elizabeth Banks to Tomorrowland and Will Smith, here are the actors, filmmakers, and studios with reason to celebrate for the first half of the year — and others who may wish it was over already.

Pratt/Universal; Clooney/Disney; Smith/Warner Bros.; Piven/Warner Bros.; Johnson/Universal; Walker and Diesel/Universal; "Inside Out"/Disney-Pixar; "Pitch Perfect 2"/Universal; Theron/Warner Bros.

In 2014, movie ticket sales dropped to a 25-year low, but in the first half of 2015, Hollywood has rebounded with a vengeance.

The year began with American Sniper and Fifty Shades of Grey setting all-time domestic box office records for January and February respectively. By May, two more movies — Furious 7 and Avengers: Age of Ultron — became the fourth- and fifth-highest-grossing films ever in the world. And in June, Jurassic World broke the all-time domestic opening weekend record, cracked the global box office all-time top 10, and became one of just five films ever to make over $500 million domestically.

With such a deep bench of massive hits, it is no surprise that overall, domestic box office grosses are up a robust 6.3% from the first half of 2014. Total domestic ticket sales are at their highest since 2009, and second highest since 2004. With several highly anticipated films still to come this year — including Minions, Spectre, The Hunger Games: Mockingjay — Part 2, and Star Wars: The Force Awakens — 2015 has the potential to be Hollywood's biggest year in a decade.

Adam B. Vary/BuzzFeed

But even with so much good news thus far in 2015, the movie industry still endured some slips, flops, and worrisome chronic problems endemic to feature filmmaking in the 2010s. Here is a midyear look at who has good reason to be celebrating this year in movies, and who has good reason to wish it was already over.


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4 DIY Outfits For The 4th Of July

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Crafting independence one marker at a time.

BuzzFeed Video / Via youtu.be

How Well Do You Remember "How To Lose A Guy In 10 Days"?

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True or false: All is fair in love and war.

The 21 Most Aggressively American Things To Ever Happen On The Internet

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Happy birthday to the greatest country in the universe!

When moon man Buzz Aldrin uploaded this photo:

This totally hypothetical situation:


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Just A Reminder That A Mulder And Scully Intersection Exists In Canada

16 White Lies You Tell On Your C.V. In Order To Get Hired

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Because telling lies gets you the job… right?

"I have very open availability, and am willing to work overtime to get the job done."

"I have very open availability, and am willing to work overtime to get the job done."

What you really mean:YOU BETTER BE PAYING ME IF I WORK OVER THE 37.5 HOUR QUOTA.

VH1

"I have fantastic customer service and people skills."

"I have fantastic customer service and people skills."

What you really mean: I hate people. People are the worst. But I will fake a smile if I'm getting paid for it.

United Artists

"I'm an honest and trust-worthy person."

"I'm an honest and trust-worthy person."

What you really mean: This very resume, and all the information in it, is a at least *slightly* exaggerated. Because I need some MONEY.

FX

"I'm an extremely hardworking individual."

"I'm an extremely hardworking individual."

What you really mean: TBH work isn't like, my ideal place to be. But unfortunately, I need money to live, so here I am.

20th Century Fox


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Inspiring Advice About Writing From Joyce Carol Oates

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David J. Bertozzi / Andrew Richard / BuzzFeed

It's been 52 years since Joyce Carol Oates published her first book, a short story collection titled By the North Gate. Since then, Oates, now 77, has written over 40 novels and countless poems and short stories, and she has been honored with the National Book Award and even Pulitzer Prize nominations.

BuzzFeed recently had the chance to speak with Oates about the art of writing. Since the author has seen great literary success that most writers aspire to achieve, we asked her for advice. Here's what she had to say:

BuzzFeed: What do you wish you knew about writing when you first started?

Joyce Carol Oates: I wouldn't really want to change much about my early life as a writer. I think that I envy my younger self because I used to write a whole draft of a novel and then go back and rewrite it. Today, I do a lot of revising as I go along and that seems to be more painful and arduous. I think my younger self could actually help me now; I need some tips from my younger self. I’m working on a novel now and it seems like I’ve been working on it for years because it's been going so slowly. It used to be that I could at least write a chapter in a week and then I would rewrite it. Now I’m almost revising every paragraph, then I go back and do the whole page, then I’ll go back to the beginning of the chapter. It's a slow process, almost like putting a mosaic together or weaving things in and out, whereas before it felt more like galloping on a horse and then creating the manuscript. For some reason I’ve become more attuned to the individual sentence and reworking the sentences. I’m not sure why that happened.

Do you think that's because now you're a highly established author and people read your work more carefully?

JCO: No, it’s more about my personality changing. I’m not very conscious of anybody reading my work; I never think about that. Each work has its own integrity. If you’re writing a short story, the story’s probably going to be about 25 pages long with a certain density and lyricism. You can’t write it too fast, because that’s how long it takes. So, the important thing is the integrity of that work. Now, a shorter story, something like a delightful little thing by [Jean-Jacques] Barthélemy, is sort of like a flame; you light the match and it burns — it’s really quick. Something like that is usually three pages long, and you wouldn’t want to take three months to work on that because that’s not appropriate. But if you’re taking an ambitious subject — like a novel about two families going through a tough time for 10 years or 12 years or so — it takes a long time, sort of spiritually and emotionally, just to grasp that. I think that’s one of my problems: I’m trying to fully realize each paragraph but then not make it too long. There’s always breaks and editing, so I’m going forward then taking some steps back, but before I would just go forward and then go back to the beginning and do the whole thing over again. I recommend to my students that they do the whole thing quickly and then revise, that they not write the way I do. But everybody I know writes the way I do. It has something to do with the computer.

What tools do you use to write? Do you use a computer, notebook, typewriter, iPhone, etc.?

JCO: I do a lot of writing in longhand, lots of scenes and a lot of notes. The computer has changed everything, though. If James Joyce had used the computer to work on Finnegan’s Wake, he might still be working on it because there’s no end; you always do just a little more. It took him seven years to do Ulysses

, but then when he got the galleys he increased it by one-third with his notes in the margins. We can see the madness that technology allows to flourish.

So you use a combination of techniques?

JCO: The notes come first and since I travel a lot, I take notes by hand. At first the notes are just for me, but after a while I’ll put them together into an outline, and then I type them onto a computer. I can basically have a whole novel on the computer. If I’m working on a specific page, I still have the whole novel there so I can scroll through and see the end. I always have the end written. As I’m touching base with the ending every day, I’m wondering how I can eventually get there.

David J. Bertozzi / Andrew Richard / BuzzFeed

Do you write the end first?

JCO: Yes. I write the end, or the last sentence, first. Even if I don't physically write it down, I always at least know how the story ends.

Where is your favorite place to write?

JCO: I could almost write anywhere. I need to look out a window. I liked writing where I lived down in the West Village. That was very nice; we had a large apartment with three bedrooms, so we had a lot of windows everywhere. When I lived in Berkeley I also had a view of the San Francisco Bay.

What did you write with that view?

JCO: I was working on this never-ending novel. The title is The Book of American Martyrs. I guess you could say it’s somewhat timely, it’s about the abortion bans. One family is very pro-life and they’re evangelical Christians — I’m very sympathetic with them, I’m not being satirical. Then the other family is pro-choice, and there's also an abortion doctor. The story's about how they all interact with the assassination of that doctor who’s sort of a hero. The two families come together in this way but they’re still in this completely realized world. It's a challenge.

David J. Bertozzi / Andrew Richard / BuzzFeed

What’s the best piece of advice another writer gave to you?

JCO: Most writers just complain.

Do you ever talk about your different writing processes with other authors?

JCO: You know, it’s like two cats. If cats could talk, they would talk about food or something. When I talk to Margaret [Atwood], it's usually about endangered species, birds, and things like that. But I don’t usually talk about writing process with other writers. My friend Edmund White and I commiserate together because it’s hard to be a writer and nobody else wants to hear it.

How do you know when a story is truly finished?

JCO: Oh, you can tell. I work on something over a period of time, and it’s particularly evident when the work is done when I'm writing a poem. I’m doing some narrative poems, not often but I do them; you can read it over and over again and scroll through it on the computer. You can read it in three minutes and can tell if it’s a little long or if it needs more development. Overall, I think it’s about intuition. My students seem not to know when things need to be enhanced. Young writers need a little nudge. My students usually have a good beginning and good ending, but there’s nothing in the middle. They'll say, "Oh! I thought it was done." And I'll have to say, "Nope, it’s not done. You need more in the middle." It's hard to learn things like pacing and structure.

Do you ever struggle with writer’s block?

JCO: I struggle with something; I’m not sure if it’s writer’s block. Writer’s block doesn’t exist, except it’s a very expensive block in Park Slope where all these writers live and it’s really expensive. Instead, I’d call it frustration or slowness. I think I have a lot of interruptions in my life. That’s the best advice to give a writer or an artist: Be in some place where you’re not interrupted. That could even mean internal interruptions, too. Get to some physical and mental place where you’re not going to be interrupted.

Jack of Spades: A Tale of Suspense is on sale now.

Jack of Spades: A Tale of Suspense is on sale now.

Grove Press

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Donnie Wahlberg Fed Poutine To A Toronto Radio Producer And It Was Super Awkward

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Hangin’ not so tough.

While there he met up with Dammitt Maurie from Kiss 92.5. Maurie wore a bike helmet with a camera attached to it, so the whole thing was strange from the start.

instagram.com

"You're gettin' that really close to me," Wahlberg said as Maurie shoved the microphone in his face.

"You're gettin' that really close to me," Wahlberg said as Maurie shoved the microphone in his face.

kiss925.com

Maurie asked if women still throw their underwear at the stage during NKOTB concerts. "They're just as loud and boisterous but they don't throw stuff at us," Wahlberg said. "They're smarter with their money."

Maurie asked if women still throw their underwear at the stage during NKOTB concerts. "They're just as loud and boisterous but they don't throw stuff at us," Wahlberg said. "They're smarter with their money."

Then it gets down to the most imporotant part of the interview: poutine. Wahlburgers just added it to their menu.

"Have you tried it yet?" Wahlberg asks.

"No, I was hoping you'd feed it to me," Maurie said.

Okaaaaaaay.

kiss925.com


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28 Photos That Perfectly Describe Every Quinceañera

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You only turn 15 once.

When the quinceañera wore a beautiful dress that could probably be seen from space.

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When the decorations resembled that of a small royal wedding.

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When there were more balloons than there were people at the party.

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When the quinceañera's court rode in a huge stretch limo for the whole five minute commute to the venue...

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Am I Funny Or Mean?


Which Fictional Fashion Magazine Would You Work At?

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A million girls would kill for any one of these jobs.

We Know Who Your Celebrity Crush Is

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♫ It’s a love story, baby…♫

Which Modern Disney Villain Are You?

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“The outside world is a dangerous place, filled with horrible, selfish people.” - Mother Gothel

How Well Do You Remember "The Raccoons" Opening?

Matt Damon Has A Ponytail Now

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Do you love it or hate it?

Earlier this week Andy Lau and Matt Damon were at a press conference for their movie The Great Wall.

Earlier this week Andy Lau and Matt Damon were at a press conference for their movie The Great Wall.

Andy Wong / AP

One thing was clear: MATT DAMON WAS SPORTING A FULL-ON PONYTAIL.

One thing was clear: MATT DAMON WAS SPORTING A FULL-ON PONYTAIL.

Andy Wong / AP

Some people love it.

Some people love it.

Andy Wong / AP

But others hate it.

But others hate it.

Andy Wong / AP


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